I love it how when Snape draws out his wand there are audible gasps but when Mcgonagall draws her wand there people are screaming out of the way.
They just know better.
damn snape is piss-OH MOTHERFUCKING SHIT, MOVE OUT, CLEAR THE WAY, MCGONAGALL IS PISSED.
I will stop reblogging this when it stops being awesome.
i want someone who’s never seen b99 to explain this screencap
is this live action cowboy bebop
If someone says “I love u” and you say “I love u 2” back, make sure you add “no Bono” so they know you mean that you love them too, not just the legendary Irish rock band U2
You know the attack is strong when the characters become line art
This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking.
OH MY GOSSSHHH 😩😩😩😩😩😩😩Goodbye.